The process of creating the book has resulted in a really familiar feeling in the collection of people included, how intentional was it? Why was that important to you?
It made so much difference that the subjects weren’t just cold called by me to be in a project but personally selected by colleagues and friends as a sign of respect for them and their work. We already had a dialogue, stories to share — shooting an already established group of people rather than manufacturing a scene I supposed existed. Their real connections and the warmth that that creates was obvious while shooting and hopefully comes through in the book. It’s a very personal project for me. This is my home, where I live, and I share this community with these people so it’s not an outsider’s view. I’m letting the viewer into my world too and celebrating what it has given me by looking at these these individuals. Looking back on the series I didn’t realise how much it was self investigation — trying to figure out what my place in this community was. I was fascinated by everyone, what they were working on, how they found a balance between following their passion and surviving in London. I wanted to uncover and meet these people face to face but I guess also find the tribe that I had been drawn to when I originally moved here over twenty years ago.
What are people’s reactions to being put in front of the camera for a project like this? How do they vary?
I would say most people don’t like being photographed, being scrutinised and put in front of a camera. Its uncomfortable and certainly not something I enjoy. A lot of creatives are actually quite shy of a their own image, preferring to be represented by their work than a portrait. The location is really important so it kind of took the pressure off the individual. Their personality strewn around them telling you as much about them as their expression or body language. The conversation that we were having were real too as we already had a number of connections by the time we were face to face. I’m sure I got a totally different portrait than if I had been commissioned to capture them as an individual rather than part of this series. The nomination they were leading me to was as important as the image we were working on.
What do you hope people get out of reading the book?
I suppose I just wanted to celebrate this community. I wanted to open it up and show you what’s behind the peeling paint and down the alleyways I have been cycling past for years. I wanted the outside world to see a true representation of what its like and the sacrifice that is made to choose this path. I don’t come from a creative background and I had no idea this world existed before I moved to Hackney, the inspiration its given me living here is something I wanted to share.
What’s next for you in 2017? Any plans to undertake similar projects in different ares of London and beyond?
I have thought about this and I suppose investigating your own community gives you such a connection to the people you are photographing and when that community is so rich there’s barely time to look further, of course I’d like to explore elsewhere but this is where I feel my voice works best. I’m not sure what’s around the corner. It tends to be a question of an idea taking hold that I can’t not do rather than one I’d like to work on.