Interview: Hege Henriksen on championing Norwegian craft
– by Anthony Leyton
This April, a new exhibition at Milan Design Week aims to bring together the best design and craft coming out of Norway and present it to the world in a single show: Structure. A total of 26 designers and craftspeople, exhibiting either solo or in collaboration, are taking part, each contributing their own creative response to the theme of ‘trace’. It’s a bold and ambitious undertaking, but with the trio of designers’ union Klubben, craft organisation Norwegian Crafts and international paint company Jotun steering the ship, Structure looks set to be one of the highlights of this year’s FuoriSalone.
Originally a jewellery designer, Hege Henrikson is project manager for Norwegian Crafts and one of the driving forces behind Structure. We spoke to her about the state of Norway’s design industry, what she hopes the show will achieve, and why Norwegian designers are drawn to creative collaboration…
Whose idea was Structure? How did the collaboration come about?
The collaboration between Klubben, Norwegian Crafts and Jotun was established in 2015 with the exhibition Norwegian Presence. It was the first and the largest collaboration showing Norwegian design and crafts during FuoriSalone. Klubben had previously collaborated with Norwegian Crafts’ owners, the Norwegian Association of Arts and Crafts, on several projects with great success. The three-way collaboration with Jotun is a perfect match. As one of the world’s leading paint suppliers, they reach out to the same professionals within the design field as Norwegian Crafts and Klubben.
How will you determine if the Milan exhibition is a success? What do you hope it achieves?
Our main goal with this exhibition is to promote the exhibitors and their work. Our main long-term goal is a strengthened position for Norwegian crafts and design in the international market. We hope for a broad press coverage of Norwegian craft and design in local and international design and interior press, and an increased number of Norwegian products in Norwegian and international sales channels. In addition, it is important for us to facilitate the professionalisation of participating craftspeople and designers, and to create opportunities for new collaborations.
How would you summarise the state of Norwegian design and craft today?
The Norwegian design field has gained a stronger position the last few years. An increasing number of Norwegian designers are working with international manufacturers; in particular Danish brands like Hay, Menu and New Works. But there is still a lot of unexploited potential that this collaboration aims to do something about, by creating more awareness of what the Norwegian design field has to offer.
The crafts sector has a stronger position in its respective fields, and we are seeing an increased demand for Norwegian crafts. At Norwegian Crafts, we work strategically in market development to provide the artists with new arenas for exhibiting and selling their work. Participating with design fairs like FuoriSalone is part of this strategy.
Norway seems to have a demonstrably collaborative approach to creativity, compared to many other countries – why do you think that might be?
Norway has only about five million inhabitants and there are not that many people in the design and furniture-production industry. So collaboration is necessary in order to get things happening. It might also be a result of our low level of hierarchy in the work environment. Employees are given a lot of freedom and are expected to contribute to the development of their companies. Perhaps this results in a more collaborative and open approach.
Can you give us a preview of any of the highlights of the exhibition? What are you really excited about showing the world?
The exhibition will show prototypes and craft objects, and some projects that fall between these categories. It will be interesting to see the lamp that comes out of the new collaboration between Bjørn van der Berg and Falke Svatun. Anette Krogstad and Vera & Kyte are both working with ceramic series that concern the subject of serving food, though with very different approaches. The duo gunzler.polmar is working on a new interpretation of the classic water pitcher. And another duo, Kneip, are working on an interesting installation consisting of three different parts – a backdrop-table, a craft object and a lamp prototype.