Monotype x TfL: Johnston100

Not wishing to redesign the type completely, Monotype has created Johnston100 as a remastered version of the original design. As the ways we communicate, both socially and practically, adapt to the increasing relevance of technology we have developed different needs. Back in 1916 the hash symbol was predominantly used in numerical contexts, today the hash is part of our everyday language and is instantly recognisable as a symbol of communication on social media platforms such as Twitter and Instagram. Edward Johnston never included the hash or at symbols in his designs, so Johnston100 sees Monotype introduce these characters, as well as updating the form and sizing of other letters to be more in keeping with the stylistic elements of contemporary visual dialogue. 

Originally commissioned to create a type rooted in simplicity and comprehensible direction and instruction, Edward Johnston’s type has inspired a legacy upheld by Monotype in their revamp of his namesake type. Recognising the need for versatility, Monotype has introduced two new weights  for Johnston100, taking the number available to five.

“The philosophy of the Johnston design is consistent throughout, and in such a way, the typeface was versatile enough that it could sustain all of these different fashions and usages that have come in the last 100 years. It was very important to TfL that we add the extra-thin weights, because of today’s digital trends. It’s a technical skill, and it’s also a testament to technology, in that it is able to render and print very delicate lines. We were able to capture the contemporary trend and the fashion of having something very light and very elegant, but because we are still using the original structures, we were able to maintain the soul of the typeface.” say Monotype’s Director Nadine Chahine.

In collaboration with Monotype and Transport for London, Zetteler & Dunn has created a short film documenting the fascinating and rarely told story behind London’s most iconic type design. Exploring Monotype’s process and creative relationship with Transport for London, much of the film sees Monotype’s Nadine and Malou discussing the details of the project in the context of Transport for London’s museum depot in Acton. 

Johnston100 will be rolled out by TfL from July 2016, initially for printed materials, such as Tube maps and posters. Over time, the typeface will be used within TfL’s trains and station signage including for London’s new Crossrail Elizabeth line – scheduled to open in 2018. Johnston100 can also be seen for the first time on a special edition poster designed by Monotype to celebrate the Johnston centennial.